And Dont Let Me Catch Your Peepin Face Around Here Again Got It

Who Framed Roger Rabbit has positively hilarious scenes, due to one-half of the bandage being cartoon characters.

---

• One of the bully examples is the singing scene:
  • Eddie's second verse has him struggling with rhyming.

    Eddie: This singin' own't my line
    It's tough to make a rhyme
    If I go stuck... I'm outta luck... uh...
    Jessica: I'M RUNNING OUT OF TIME!!!
    Eddie: Thanks!

  • Followed by this:

    Eddie: I'grand through with takin' falls
    and bouncin' off the walls!
    Without that gun, I'd have some fun!
    I'd kick yous in the - (vase hits him on the head)
    Roger: Nose!
    Smart Ass: "Olfactory organ?" That don't rhyme with walls!
    Eddie: No, but this does! (kicks Smart Ass in the crotch then difficult he goes flying into the dip)

• And when it comes to existent actors:
  • Earlier, when he'due south picking upward his pants, Eddie bumps his head on Jessica'southward breasts with a hilariously chagrined "Pitiful." Even funnier in that Bob Hoskins ad-libbed that!
    • The "boingy"/timpani drum sound consequence they make when Eddie's caput collides with them or when she pressed them against his chest.
  • And earlier that is Dolores' perfect one-liner when she first walks in on the situation:
  • This line:

    Jessica: You don't know how hard it is being a adult female looking the way I do.
    Eddie: Yeah, well, you don't know how difficult it is beingness a man...(says quickly) looking at a woman looking the fashion yous practise.

  • This line, afterwards Dolores storms out of Eddie'southward function in acrimony:

    Eddie: Come on, Dolores, you don't actually believe that painted hussy can turn my head? She's merely trying to get her hands on the rabbit!
    Dolores: That's non all she'due south trying to get her hands on!
    [In the background, Jessica is inside her car, smirking at Dolores' remark.]

• The scene with the toon bullets:

  Bullet 1: Eddie Valiant! You're a sight for sore eyes!
  Bullet ii: I ain't seen you for nigh onto five years!
  Bullet ane: Where ya been?
  Eddie: ...Drunkard.

• The scene where Eddie, handcuffed to Roger, takes a hacksaw to the handcuffs, and Roger slips out of the handcuffs to hold the table steady with both hands.

  Eddie: Exercise y'all hateful to tell me you could've taken your hand out of that gage at whatsoever time?!
  Roger: No! Non any time, only when it was funny.

  • Annotation that Roger is explaining this in total Sincerity Mode.
  • The smug await on Roger'southward face when Eddie says "I got no keys for these cuffs!" While we find out Roger could get out when he feels like it, information technology looks as though Roger doesn't care if he'll be stuck with him forever.
• Roger can't spell.

  Roger: Nosotros're gonna be happy once again! Got that?! Happy! Uppercase H-A-P-P-I! (Impact Silhouette)

  • Some of the strange translations of the film manage to keep this joke relatively intact; in the Italian dub, Roger misspells "Felice" F-E-Fifty-Due east-S-E.
• The record repeats itself, causing Roger to keep smashing plates on his caput. When Eddie stops it, Roger freezes and has a ridiculous expression on his face.

  Roger: Look there is no pain- *smash* no pain- *boom* no pain- *boom* no pain- *smash* no pain- *smash* no hurting- *blast* [Eddie stops record] no- [Roger freezes]

  • Dolores begs Eddie to terminate Roger for the sake of her plates. An annoyed and furious Eddie instantly intervenes and pulls Roger off the counter, causing at to the lowest degree half of the plates to instantly crash on the ground. Her expression is just speechless horror.
    • The backside-the-scenes documentaries prove more, when the other plates fell Eddie sighs and just tossed the plate he had in his hand.
  • The function where Roger sings "My buddy's Eddie Five., a sourpuss, you see", the camera pans to a stone-faced Eddie simply continuing there. Dolores smiles and nudges him in the ribs.
• The Ink and Paint Club scene! "Nice monkey suit," ^note "Wiseass." "Scotch on the rocks, and I mean ice!"
  • Then when Eddie gets his drink, information technology has ice and a single rock in information technology. They clearly just couldn't aid themselves.
    • It may also exist payback for when Eddie but grabs the bill of fare and throws it at the plate the penguin was carrying.
• The entire Daffy Duck vs. Donald Duck piano duel. Blitheness'southward shortest temper versus its biggest Small Name, Big Ego.
  • At the very finish, as the white piano falls over, Donald stands on it and salutes like a helm going down with his send.
  • Acme implies that these two accept played 'Hungarian Rhapsody #2' at the Ink & Paint Club many times, and never been able to cooperate long plenty to end the piece.

    "Those ducks are funny! They - they never go to finish the act!"

    • A Deleted Scene reveals that this was actually All Part of the Show. Every bit Eddie sneaks in backstage, we see two piano movers coming in with a replacement pianoforte. One of them laments that "it makes me sick to remember of these beautiful pianos gettin' chopped into match sticks every night by those screwy ducks." Then when Eddie hides inside it, Donald and Daffy test out the new piano and interact quite amiably with each other equally they try to effigy out why information technology'southward out of tune.
  • Zemeckis was able to sneak some of the era's casual racism past the censors in the scene. Daffy calls Donald (the white duck) a "quacker", and Donald's lisp is bad enough you tin easily translate "doggone stubborn little..." equally something else entirely.
• Ane of the Weasels tries to frisk Jessica Rabbit, but all he gets from sticking his paw downwards her substantial cleavage is his hand stuck in a bear trap. Eddie can't aid but quip "Overnice booby-trap."
• The newspaper ◊ that prints the picture of Jessica and Mr. Summit playing pattycake on their front end folio also found, God knows where, the simply existing photo of Roger looking sinister.
  • The paper as well reads that Acme didn't exit his will to the toons as he promised, merely the will is clearly visible in his pocket ◊. Quite the glaring oversight.
• Roger enters Eddie'southward office, who of grade, wants nothing to practice with him. Eddie's trying very difficult to pay no discover just and so:

  (Roger was about to sit on Teddy's vacant chair.)
  Eddie: GET OUTTA THAT CHAIR!!!
  (Roger freezes, terrified and places his manus on his heart.)
  Eddie: Information technology'south my brother's chair.
  Roger: (looking at a picture of the brothers) Yeah, where is your brother anyway? He looks like a sensitive and (side-eyes Eddie) sober young man.
  Eddie: That'southward it, I'one thousand calling the cops. (grabs a phone and starts dialing)
  Roger: Go ahead! Telephone call the cops! (heads towards a door) I came here for help and what do you do? Y'all plough me in! No, no, don't feel guilty about me! (opens the door) So long, and cheers for nothin'! (slams the door, files fall to the floor)
  Eddie: That's the closet! Stupe!

  • Then when he opens the closet, a foursquare-jawed Roger cuffs him!

    Roger: Eddie Valiant, you're Under arrest! Bl-bl-bl-bl—!

    • When Roger grabs Eddie'south hand to cuff him, you can encounter Eddie exasperated. Clearly non in the mood for more than of Roger'due south jokes.
  • The get-go of the scene is as well hilarious. Eddie gets into bed to take a nap and turns onto his side only to find himself confront-to-confront with and inches away from Roger. Cue them both screaming and jumping away from each other.
• Eddie sneaks up on Maroon and startles him.

  Eddie: What's up, Doc?
  Maroon: Valiant, what are you tryin' to do, gimme a heart attack?!
  Eddie: You need a eye before y'all tin can accept an attack.

  • This dialogue:

    Maroon: [pulls his gun out] Let me meet that will.
    Eddie: [about to have a beverage] I told you, I got it.
    Maroon: I wanna see it NOW! [smacks the potable from his hand, Eddie quietly grabs the seltzer as Maroon reads] "How practise I honey thee, allow me count the means"? Is this supposed to be a joke!? [crumbles the paper and puts it in Eddie'due south pants]
    Eddie: No! This is. [sprays water at his face]

  • That WAS the will!
• Eddie mocking Bongo the Ink and Paint Guild bouncer:

  Bongo: (taps shoulder while Eddie is eavesdropping at Jessica's door) Whaddya call up you're doin', doormat?
  Eddie: Who you lot callin' a chump, chimp?
  (Jump Cutting to Eddie getting thrown into a pile of trash)
  Bongo: And don't lemme catch your peepin' face around here again!! GOT Information technology?!
  Eddie: (scratches right armpit with correct hand) Ooga-booga!

• Eddie disarming Roger to take a drink to save him from getting dipped.
• Pretty much the entire opening cartoon that starts the moving picture, which is a master class in blithe Rube Goldberg slapstick. The scene suddenly ends when Roger gets yelled at for going off-script by producing Circling Birdies instead of stars after getting hit by a refrigerator. Roger then tries to convince the director that he can encounter stars, but he still can't go it right after repeatedly bashing himself over the caput:

  "I tin can give you stars! Look!" *thunk* (shapes) "LOOK!" *thunk* (bells) LOOOOOOOOOK!!!!" *thunkthunkthunk* (cuckoo clock, butterflies, alarm clock)

  • Also, a literal brick joke after Roger gets crushed past a literal ton of bricks:
• This line, coming from an otherwise-innocent Infant Herman who, a few seconds agone, was acting like a typical babe in the cartoon beingness filmed:

  Baby Herman: (deep, gravelly voice) WHAT THE HELL WAS WRONG WITH THAT Accept?!

• "Hey Roger, what practice you phone call the middle of a song?" "Gee I dunno, [about to crash into] A Span!!!"
• After Marvin Acme sprays (disappearing) ink onto Eddie'southward shirt with a fountain pen and starts giggling about information technology, Eddie responds with:

  Eddie: You recall that'due south funny?
  Acme: Oh, it's a panic!
  Eddie (seizes Summit'due south tie): You won't recall information technology's funny when I stick that pen up your olfactory organ!

• Roger hides in Teddy's desk, while he and Eddie are handcuffed together.

  Roger: Hibernate me, Eddie! Pl-pl-pl-pl-please! [Jumps into the bottom side drawer. And so he sticks his head out of the top drawer.] Recall, yous never saw me.
  Eddie: Become OUTTA At that place!!

• Eddie keeps striking his head on the ceiling lamp in the bar'south secret room.

  Roger: Jeepers Eddie, that almost killed me!
  Eddie: [BONK] Ow!

  Eddie: [grabs Roger past the ears] Crazy toons! [BONK] Oof!
  Roger: Watch your caput!
  Dolores: I thought you said y'all'd never accept another toon case again, Eddie. What'd you have, a change of eye?
  Eddie: Nothing's changed! Somebody's fabricated a patsy out of me and I'one thousand gonna find out [BONK] why!

  • In the same scene, Roger trying out the spy-hole and knocking over a bottle with his eyes.
• "Dolores. Dolores! DOLOOOOREEEESSS!!!!"
  • Well it couldn't exist helped that the Blood-red Machine was drowning out his vocalisation in the first place.
• Eddie wonders how Roger found out about his office.

  Eddie: Anybody know yous're here?
  Roger: No one! Not a soul! Except...
  Eddie: Who?
  Roger: Well, y'all see... I didn't know where your office was, then I asked the newsboy, he didn't know! Then I asked the fire fighter, the greengrocer, the butcher, the baker, they didn't know! Simply the liquor store guy, he knew!
  Eddie: In other words, the whole damn town knows you lot're here!

  • Because of course the liquor store guy would know where Eddie'southward role is.
  • What'southward more than is that the final two people in Roger's listing earlier the liquor shop guy are one person short for Roger to brand it a reference to a Nursery Rhyme ^note a candlestick maker.
• This substitution:

  Roger: Let Me Go This Directly.... You remember that my boss, R.K. Maroon, dropped a safe on Marvin Height's caput, so that he could get his easily on Toontown?!
  Eddie (as he finally gets out of the cuffs): Yes, that's my hunch. (to Dolores) Uh, can he stay here for a couple of days?
  Dolores: He'due south non going to do anything crazy, is he? (pan to Roger, who's cleaning his ears with a metal file, giggling)

• Eddie, with Roger handcuffed to him, has to smuggle Roger to the diner by keeping him stuffed downwardly his trench coat, simply Roger tin can't breathe. And then when the rabbit pushes his head out the neckband for some air, Eddie manages to stuff him back down before anyone can come across him, making a gigantic bulge in his crotch. Except for Dolores:

  Dolores: So tell me, Eddie. Is that a rabbit in your pocket or are you but happy to see me?
  Eddie: Cut the comedy, Dolores, I've had a very hard day.

• Confronted with a sword-wielding Approximate Doom, Eddie seizes a nearby box labeled "ACME Singing Sword" and whips out a drawing singing sword (singing Frank Sinatra'southward "Witchcraft" no less). Doom is tickled and continues to advance with his actual sword.
  • Even better when, after staring in horror for about half a minute, Eddie angrily throws it away mid-lyric.
• Fifty-fifty Jessica Rabbit who isn't as loony as other toons expresses humor in her ain way, like doing hammerspace gags such as hiding a acquit trap into her bosom and fitting a frying pan into her pocket-size bag.
  • The exact moment Jessica reveals that, for all her looks and sophisticated femme fatale wiles, she deep downward has the personality of a toon:

    Jessica: Oh no. Where's Roger?!
    Eddie: Roger? He chickened out on me back at the studio.
    Jessica: No he didn't. I hit him in the caput with a frying pan and put him in the trunk. And then he wouldn't go hurt.
    Eddie: Makes perfect sense.

• Mickey Mouse and Bugs Bunny encounter Eddie while he's falling to his doom. (They're parachuting. Just coincidentally.) Eddie desperately asks if they take a spare. Mickey mentions that Bugs does. And Bugs concedes that he does take a spare - merely he doesn't call back Eddie will want it. Eddie assures them he does, accepts a big bag marked 'Spare' and the two cartoon characters pull their cords and vanish up. Eddie pulls open up the bag and discovers that it contains a spare tire. And continues falling to his doom.

  Mickey: Aw. Poor fella.
  Bugs: Yeah. Own't I a stinker?

• Infant Herman actually crying similar a infant (admitting with his raspy voice) later on Eddie causes him to drop his cigar. Eddie smiles as he turns to go into the office.

  Baby Herman: My stogie!!

• The semi-Running Gag of Roger confirming Benny's identity, specifically, Benny'southward reactions to Roger's stupid questions.
• When Benny instructs Eddie to pull a lever that'll enable the cab to dodge the oncoming Toon Patrol, Eddie and Roger tin can't find it, prompting a sign reading "THIS LEVER, STUPID" to pop out and point to it.
  • What makes information technology even funnier is that nosotros become a view of Benny'due south dashboard during that moment, and there is literally only one lever. Roger and Eddie are obviously too panicked to recall straight.
• Benny runs over a pool of Dip during a automobile chase, damaging his tires and rendering him unable to drive... on his own wheels at least. And so, instead, he climbs into the driver's seat of a unlike, real-world automobile and drives his manner to Eddie.
• Roger doesn't quite know what Eddie and Dolores are talking near when she asks Eddie to check the probate for data on Marvin Pinnacle's will:

  Roger: Yeah, check the probate! Why, my uncle Thumper had a problem with his probate, so he had to take these large pills and drink lots of h2o...
  Eddie: Not "prostate", you lot idiot! "Probate"!

• This moment after the Proscenium Reveal at the kickoff.

  Raoul: My stomach can't accept this. This fix is a mess. Clean this set up! Get [Roger] out of there! Or seal him upwards in information technology! Lose the lights! Say lunch!
  Cameraman: LUUUUUNCH!!!!
  Raoul: That's lunch! We're on a one-half!

• Drained of its dip, Doom'south doomsday machine breaks through the brick wall into Toontown and instantly gets run over by a bullet train.
  • And seconds afterwards a hand cart going the other direction on the aforementioned track.
  • Spotter it frame-by-frame. There's a unlike murder occurring in the windows of each auto.
• Jessica's declaration of beloved to Roger: "I want you to know I love yous. I beloved you more than any woman's ever loved a rabbit." Nosotros're not gonna argue that. Doubles as a hilarious Parental Bonus, given the *ahem* other meaning of rabbit
• Toontown could have a folio all its own with the numerous Easter Eggs and gags to boot.
  • When Eddie arrives, he'due south greeted by hundreds of toons singing. And so a trio of hummingbirds appear and say "How-do-you-do, Eddie!" 3 times, earlier proverb "Goodbye, Eddie!" equally he crashes into Jessica's parked car.
  • The marquee at the movie theater reads "Nosotros alter our shorts daily"; as in animated short films.
  • "For a proficient time, phone call ALLYSON WONDERLAND, the best is yet to be"
  • The poster for "Porky's All-Beef Sausage".
  • A drawing dive bar edifice is all drowsy and drunk abrasive the adjacent buildings while the toon constabulary station adjacent door glares at him.
    • A cartoon joke shop at the end of the street wearing goofy glasses and gives the audition a Groucho Marx-style countenance heighten.
  • Lena Hyena . Thinking Jessica Rabbit murdered R.K. Maroon, Eddie pursues her all the way into a Toontown hotel only to observe non Jessica, simply an ugly, goofy-looking hag that pursues him obsessively.
    • Apart from her green pumps, Lena however has the same features as Jessica (purple centre shadow, green optics, ruby-red hair, red lips; red, backless dress; and violet High-Form Gloves). Interestingly, they besides both accept a Species Surname, but while Jessica's is due to marrying a guy with the concluding proper name Rabbit, Lena's is probably Just for Pun.
    • Eddie'southward Oh, Crap! look when Lena reveals her face is quite amusing as well.
    • Information technology'southward a cursory moment, but Lena is clearly trying to accommodate her boobs to make them look stacked over again, but they immediately sag and droop all the way to the flooring for a second.
    • A very small, unnoticeable Freeze-Frame Bonus shows a Creepy Changing Painting of a toon rabbit in Lena's room. When Eddie peeps through the keyhole, the rabbit is happy and excited when Lena imitates Jessica, but after she reveals her face up, the rabbit looks away in cloy.
    • In the same sequence, even Lena's bed has a repulsed expression.
    • Eddie tries to slam the door on Lena in lodge to escape getting kissed by her, but her lips but blast through the door earlier she kicks information technology down with a unmarried boot.
    • Later on plummeting down the building, Eddie ends up beingness saved from getting splattered on the pavement by Lena, who is even so waiting for her osculation.
    • Just Eddie's disgusted face when Lena plants a big osculation on his cheek.
    • The recoil of Lena's kiss being powerful enough to send Eddie tumbling yards abroad forth with the " steam locomotive" noises as she barrels towards Eddie at full speed.
    • Eddie finally gets Lena off his tail by peeling and trigger-happy a toon road surface marker, placing a torn end towards a brick wall, and having Lena follow it into the wall flattening on impact exposing her polka dot bloomers. This leads to Eddie's Bond One-Liner: "Toons, gets 'em every fourth dimension."
• The Weasels shoot their way into Eddie'south office and find him at his sink.

  Eddie: Hello boys. I didn't hear you come in.

  • Besides, Eddie's encompass for Roger:

    Smartass: (sniffs the sink) What's in there?
    Eddie: (holds upward a dirty sock) My lingerie.
    (Smartass hastily covers his nose and backs downwardly)

• The "Pattycake Pictures". Nosotros are at first meant to assume that "pattycake" is an Unusual Euphemism. Instead, it's actual pattycake.
  • Even funnier is how Roger apace flips through the photos like it was a tiny flipbook animation of Pinnacle and Jessica playing pattycake.
  • When Eddie is first taking the photos, he'southward shocked and astonished at the sight he's seeing. At first, you might think it's because he tin can't believe a human is actually having intercourse with a toon (given the sounds Jessica was making), merely then you see information technology's considering Peak wasn't having sex and was just literally playing pattycake with her. Eddie probably thought "he gets with a smoke show like her on the regular and that's what he does?". Office of what makes information technology hilarious was Jessica's moans; she was actually getting off from it.

    Jessica: Mr. Valiant? (Slaps Eddie in the face with anger) I HOPE YOU'RE PROUD OF YOURSELF! AND THOSE PICTURES You TOOK!

• When Eddie is leaving Maroon Cartoon studios, the hippo from Fantasia is sitting downwardly on one end of a bench. The demote immediately breaks under her weight, sending the (live man) guy on the other end flying into the air. Also sort-of doubles as Nightmare Fuel when thought well-nigh afterward.
  • The other Fantasia reference, when the jazz score abruptly cuts to "The Sorcerer's Apprentice" beingness played on a saxophone, showing a guy serenading a bunch of blithe broomsticks cleaning the street with real-life brooms.
• Droopy's cameo as the lift operator.
  • The ceiling of the elevator is very thoughtfully padded with cushions, since, plain, screeching to a halt so fast it slams the passenger into the ceiling is its normal style of performance.
• Eddie and Babe Herman:

  Eddie: A ladies' man, huh?
  Herman: The problem is I got a 50-year-old lust and a 3-twelvemonth-old dinky.
  Eddie: Yeah, must be tough.

• When Estimate Doom enters the bar in search of Roger, it sounds similar Angelo (the boozer who fabricated fun of Eddie before in the film) is about to requite away his position, but:

  Angelo: Hey... I seen a rabbit.
  Gauge Doom: Where?
  Angelo: He's right here in the bar. (puts a hand around an invisible presence in the stool next to him) Say hello... Harvey!
  (everyone merely the Judge erupts into laughter)

• "Wait a minute, look a infinitesimal. You're telling me that in a fit of jealousy, yous wrote your married woman a love letter?"
• The fact that the very offset thing we see of Jessica Rabbit is her bust poking out from backside a curtain, especially since Eddie is under the impression that she's a rabbit when he does. The look on his face up when he sees she's a (human) bombshell is incredulous.
  • Followed by this exchange:

    Eddie: (staring open mouthed) She's married to Roger Rabbit?!
    Betty Boop: Yeah. What a lucky girl! (shuts Eddie's mouth for him)

  • That small moment during Jessica'southward number when she's on Eddie's lap and her face is mere centimeters away from his, Eddie, completely hypnotized by Jessica's beauty, actually tries to osculation her earlier she quickly puts his fedora on his face.
  • Jessica is a voluptuous toon beauty to where even human men lust for her. During her number, she gently pushes a man homo who is visibly enamored with her back into his seat. Afterwards at the Top Manufacturing plant, right after she angrily slaps Eddie, the human cops all stop what they're doing and hypnotically gawk at her.
    • As Eddie converses with Betty Boop, a crowd of human male patrons all rush to get a seat past the runway Jessica will perform on. Once y'all see her, you sympathize why.
• Dolores' rock-faced, tearful read of "A toon killed his brother. Dropped a piano on his head," and the rest of the bar bowing their heads respectfully.

Meta

---

edmistonsamelver.blogspot.com

Source: https://tvtropes.org/pmwiki/pmwiki.php/Funny/WhoFramedRogerRabbit

Share this post